Saturday, June 27, 2009

SONY VEGAS PLATINUM EDITION 9.0




Video editing, audio production, and DVD authoring come together in a single, powerful solution. Vegas Movie Studio Platinum Edition software has everything needed to produce high-quality movies, corporate videos, wedding DVDs, and more. Easily edit video in almost any format including high
definition. Powerful tools for video compositing, color correction, and surround sound mixing help you get feature-film results in your home studio. With integrated DVD authoring, Blu-ray Disc burning, and multiple options for online posting, you can deliver projects however you or your clients desire.

The Platinum Difference
Vegas Movie Studio Platinum software has everything that Vegas Movie Studio software has and more. You still get the easy drag-and-drop video editing, integrated DVD layout and burning, and Show Me How interactive tutorials. Plus, Vegas Movie Studio Platinum software provides added features and advanced
editing tools such as:

* HD video editing: HDV and Sony AVCHD
* 5.1 surround sound mixing and encoding
* Direct export to Sony PSP (PlayStation Portable)
* Advanced 3-wheel primary color correction tools

Features:

Vegas Movie Studio 9 Platinum Features
General Features

* New! Streamlined New Project and Make Movie wizards
* New! Improved native HDV .m2t playback performance and improved memory handling for HDV longform projects
* New! Sony AVCHD enhancements
* Freehand envelope drawing on the timeline
* Display of media marker names in events
* Improved snapping color-coded visual snap indicator and the ability to snap to event edges on other tracks.
* Multitrack video and audio editing
* Easy drag-and-drop functionality
* Show Me How interactive tutorials
* Real-time editing of parameters during playback
* Support for any aspect ratio (4:3, 16:9, etc)
* Supports multiple file formats and frame rates
* High Definition editing and output
* Simple drag-and-drop operations
* Explorer view
* Project media bins
* Over 500 video effects and transitions
* Track markers and regions
* Unlimited undo/redo

Video Features

* New! Fullscreen preview to a primary and secondary Windows display
* Real-time playback of effects, processes and transitions to external monitor
* Color-correction tools
* MPEG-1 and MPEG-2 support...

Audio Features

* New! Cinescore Studio plug-in for music soundtrack creation
* Gracenote MusicID CD album recognition
* Multithreaded audio engine maximizes performance...

Transitions and Effects

* More than 220 customizable 2D and 3D transitions
* Over 350 customizable video special effects
* Add text animation, titles and scrolling credits...

Capture and Import

* New! Import support for LEPC files
* New! Import support for MJPEG-encoded files
* Sony AVCHD import and edit support...

Export and Hardware Features

* New! Burn to Blu-ray Disc from timeline
* New! Integrated upload to YouTube
* New! Improved Sony AVC/MPEG-4 encoder

Additional Features for Vegas Movie Stuido 9 Pro Pack

* Includes Sound Forge Audio Studio software
* Includes Pro Pack Cinescore Themes
* 106 NewBlue 3D transitions and effects
* Includes 1,001 Sound Effects


Plugins that are included:

- Magic bullet editor 2
- Newblue FX
- Pluginpac
- SpiceMaster Pro
- Textury
- Ultimate S3

GUITAR PRO 5.2 + KEYGEN




Guitar Pro 5.2 + KEYGEN

Guitar Pro is a multitrack tablature editor for guitar, banjo and bass. Besides writing scores, Guitar Pro is a useful resource for guitarists from beginner to experienced levels to progress, compose, or simply accompany themselves.

A Powerful, Simple and Intuitive Editor
Guitar Pro allows you to create whole scores for guitar, bass or other stringed instruments in a few minutes.

View and Listen to your Tablatures
Far more than a simple editor, Guitar Pro allows you to view and listen to your scores in high quality.

A Complete Workshop for the Guitarist
Guitar Pro includes many tools for the guitarist such as the chord diagram generator, the guitar tuner, the metronome, the scale tool or the fretboard...

Import, Export and Share!
Import and export MIDI and ASCII format, and enjoy the tens of thousands of tablatures available on the Internet in Guitar Pro format.


XARA 3D V6 FULL

Xara3D is so simple to use, literally anyone can produce high quality 3D graphics in minutes.

Both professional web designers and home users choose Xara3D to make still and animated 3D text and graphics, such as logos, titles, headings and buttons.

3D graphics and animations are the perfect way to add impact to your site - and we guarantee there’s no easier way to create them than Xara3D!


With Xara3D’s clean design, intuitive tools, interactive editing (just drag on the image to change the position, the extrude or bevel) and ready made styles, you will create your first 3D graphics in minutes.



Ideal for onscreen 3D graphics or animations (AVIs or animated GIFs), wherever you need to catch your visitor’s attention - headings and titles, logos and buttons, sales and offer notices. Perfect for web pages, mailshots, newsletters, e-cards and presentations. And any animation can even be saved as a screensaver.



Xara has pioneered technology to create the highest quality onscreen results, with compact file sizes - ideal for web pages and presentations.



Sunday, June 21, 2009




Angels & Demons is a bestselling mystery-thriller novel written by American author Dan Brown and published by Pocket Books in 2000. It revolves around the quest of fictional Harvard University symbologist Robert Langdon to uncover the mysteries of a secret society called the Illuminati and to unravel a plot to annihilate Vatican City using destructive antimatter. The book uses the idea of a historical conflict between science and religion, particularly that between the Illuminati and the Roman Catholic Church.

The novel introduces the character Robert Langdon, who is also the protagonist of Brown's subsequent 2003 novel, The Da Vinci Code. It also shares many stylistic elements with its sequel, such as conspiracies of secret societies, a single-day time frame, and the Catholic Church. Ancient history, architecture, and symbolism are also heavily referenced throughout the book. A film adaptation was released on May 15, 2009, though it was set after the events of Da Vinci Code film, which had been released in 2006.


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Saturday, June 20, 2009



Iron Maiden: Flight 666 is a 2009 British/Canadian documentary film featuring the heavy metal band Iron Maiden. The film follows the band on the first leg of their Somewhere Back in Time World Tour between February and March 2008.

Flight 666 is co-produced by Toronto-based Banger Productions, known for their documentaries Metal: A Headbanger's Journey and Global Metal. The film was shot in High-definition video with accompanying 5.1 surround sound produced by Kevin Shirley (who has worked with the band since their 2000 album Brave New World). It was distributed by EMI (except in the U.S., where it was distributed by Universal Music Group) in select digital theatres on April 21, 2009.


COVER bY............:Meathead

Sample Included.....:YES

Release Group.......:FLAWL3SS

Format..............:MKV

Container...........: x264

Resolution..........: 720p

Source Media........: Blu-Ray

Audio Format........: DTS

Audio Channels......: 5.1

Audio Bitrate.......:1536

Subtitles...........: None

Encoded By..........: BDK

Length..............: 1:44 minutes

Movie Information...:http://www.imdb.com/title/tt1361558/
IMDb Rating.........:8.7/10 458 votes
------------------------------------------------------------------------------
Release Info
------------------------------------------------------------------------------
Genre:
Documentary | Music
Tagline:
50,000 miles. 5 Continents. 23 Concerts in just 45 Days.
Plot:
A chronological account of the heavy metal band Iron Maiden's 2008 world tour through India, Australia, Japan, USA, Canada, Mexico and South America in a jet piloted by the band's front man, Bruce Dickinson. Features interviews with the musicians, their road crew and fans.
------------------------------------------------------------------------------
Cast
Vinny Appice ... Himself
Pat Cash ... Himself
Bruce Dickinson ... Himself
Ronnie James Dio ... Himself
Janick Gers
Derrick Green ... Himself
Lauren Harris ... Herself
Steve Harris
Kerry King ... Himself
Andreas Kisser ... Himself
Nicko McBrain
Tom Morello ... Himself
Dave Murray
Rod Smallwood ... Himself
Adrian Smith

Lars Ulrich ... Himself
------------------------------------------------------------------------------
Technical Specs
------------------------------------------------------------------------------
Container...........: Matroska

Video Bitrate.......: 5670

Video Encoder.......: x264

Video Aspect Ratio..: 16x9 (1280x720)

Audio Codec.........: DTS

Audio BitRate.......: 1536 kbit/sec

Audio Channels......: 5.1 channels

Subtitles...........: None

Source..............: Blu-Ray

File Size...........: 5.48 GB (avg bitrate of 5671 kbps)


Monsters vs Aliens


Monsters vs. Aliens is a 2009 computer-animated 3-D feature film from DreamWorks Animation and Paramount Pictures. The movie was the first computer animated movie to be directly produced in a stereoscopic 3-D format instead of being converted into 3-D after completion, which added $15 million to the film's budget.

The film was scheduled for a May 2009 release, but the release date was moved to March 27, 2009, to prevent competition with James Cameron's upcoming Avatar, has since moved its release to December 2009. Monsters vs. Aliens features the voices of Reese Witherspoon, Seth Rogen, Hugh Laurie, Will Arnett, Rainn Wilson, Kiefer Sutherland, Stephen Colbert, and Paul Rudd.

X-Men Origins: Wolverine



X-Men Origins: Wolverine is a 2009 superhero film based on the Marvel Comics' fictional character Wolverine. It was released on April 28, 2009 in the Netherlands and worldwide May 1 2009. The film is directed by Gavin Hood and stars Hugh Jackman as the title character, along with Liev Schreiber, Danny Huston, will.i.am, Lynn Collins, Taylor Kitsch and Ryan Reynolds. It is the fourth installment of the X-Men film series, and serves as a prequel to the previous installments, being primarily set roughly ten to seventeen years before the film X-Men. The film focuses on the violent past of the mutant Wolverine and his relationship with his half-brother Victor Creed. The plot also details Wolverine's early encounters with Colonel William Stryker, his time with Team X and the bonding of Wolverine's skeleton with the indestructible metal adamantium during the Weapon X program. The film was mostly shot in Australia and New Zealand; conflicts arose between director Hood and Fox's executives during production.

X-Men Origins: Wolverine was released to mixed reviews; critics praised Hugh Jackman's performance, but considered the film and its screenplay uninspired. It opened at the top of the box office, grossing $85 million domestically on the opening weekend, and has grossed over $350 million worldwide.


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Tuesday, June 2, 2009

FAR CRY



GENRE Action / Thriller / Adventure\
RUNTIME 01:30:47
AUDiO MP3 48000Hz 256 kb/s CBR (2 chnls)
LANGUAGE English
ViDEO 851 kbps Xvid (25.000 FPS)
RESOLUTiON 592 x 336
SiZE 699 MBSOURCE

An adaptation of the first-person-shooter video game where Jack Carver, a retired Special Forces Officer who now is transport for hire, by people and cargo. On one particular trip Jack ferries a photographer 'Val' who wants to photograph old Japanese WW2 bases on some of the Micronesian islands.
Starring: Til Schweiger, Emmanuelle Vaugier
Director: Uwe Boll

YES MAN


GENRE Comedy
RUNTIME 01:43:46
AUDiO MP3 48000Hz 256 kb/s CBR (2 chnls)
LANGUAGE English
ViDEO 822 kbps Xvid (23.976 FPS)
RESOLUTiON 640 x 272

Based on the comedic memoir by Danny Wallace, this film stars Jim Carrey as Carl, a man who, as an antidote to unhappiness, resolves to say "yes" to everything that comes his way. Initially, Carl's new practice proves successful in lifting his spirits, but soon he is confronted with unexpected and seemingly unbeatable challenges stemming from his unique self-imposed regime. Zooey Deschanel co-stars as Allison, Carl's love interest.
Starring: Jim Carrey, Zooey Deschanel
Director: Peyton Reed

TRANSPORTER 3


YEAR 2009
GENRE Action / Thriller
RUNTIME 01:43
AUDiO MP3 48000Hz 256 kb/s CBR (2 chnls)
LANGUAGE English
ViDEO 851 kbps Xvid (23.000 FPS)
RESOLUTiON 692 x 288
Buckle up and hold on tight for the third installment of the action-packed Transporter series, which follows the thrilling adventures of Frank Martin (Jason Statham), a mercenary driver who makes his living by delivering important cargo, no questions asked. Co-written by French director Luc Besson, Transporter 3 brings back co-star François Berléand and welcomes the addition of Robert Knepper to the cast.
Starring: Jason Statham, Robert Knepper
Director: Olivier Megaton

SIMS 3 : No CD + Trainer


The Sims 3 is a strategic life simulation video game in the popular and critically acclaimed The Sims franchise, originally created by Maxis. Within the series' in-game chronology, it is a prequel to both The Sims and The Sims 2, as well as spin-offs such as The Sims: Bustin' Out.A collector's edition is also available, which comes with a free sports car download, a sticker sheet, a 2GB Plumbob-shaped USB drive, and 10 USD to spend at The Sims 3 Store. In contrast to the previous versions, the houses and neighborhoods are seamless, allowing players to explore and interact with their neighborhood without loading time.

ROCKET DOCK




RocketDock is a smoothly animated, alpha blended application launcher. It provides a nice clean interface to drop shortcuts on for easy access and organization. With each item completely customizable there is no end to what you can add and launch from the dock.
Now with added Taskbar support your minimized windows can appear as icons on the dock. This allows for better productivity and accessibility.
Features:
Minimize windows to the dock
Real-time window previews in Vista
Running application indicators
Simple drag-n-drop interface
Multi-monitor support
Supports alpha-blended PNG and ICO icons
Icons zoom and transition smoothly
Auto-hide and Popup on mouse over
Positioning and layering options
Fully customizable
Completely Portable
ObjectDock Docklet support
Compatible with MobyDock, ObjectDock, RK Launcher, and Y'z Dock skins
Runs great on slower computers
Unicode compliant
Supports many languages and can easily be translated
In This Pack I have included many useful items including:
-Icon Packs
-Docklets
-My Favourtie Skins

Thursday, May 14, 2009

NFS : Most Wanted



Minimum System Requirements:
CPU:
Pentium 4 or equivalent 1.7 GHz
RAM:
512 MB
VGA:
A video card with 64 MB memory and one of these chipsets is required:NVIDIA GeForce3 / NVIDIA GeForce4 (Ti series only) / ATI Radeon 8500.Laptop versions of these chipsets may work but are not supported.
OS:
Windows 2000 Service Pack 4 / Windows XP Service Pack 2(64-bit versions are not compatible)
HDD:
4.7 GB for CD/DVD versions / 11 GB for EA Downloader version (5GB for download, 6GB for install)
Sound:
DirectX 9.0c compatible
DX:
DirectX 9.0c
Resolution:
ODD:
8x DVD drive (Europe) / CD drive (North America)The Collector's Edition only comes in PC-DVD format and requires a DVD drive
Network:
512 Kbps connection; 2-8 Players
Recommended System Requirements:

CPU:
Pentium 4 or equivalent 2.4GHz

RAM:
1 GB

VGA:
128MB DirectX 9.0c compatible video card (NVIDIA Geforce 6800+/ATI Radeon 9800+)Laptop versions of these chipsets may work but are not supported.

OS:
Windows 2000 Service Pack 4 / Windows XP Service Pack 2(64-bit versions are not compatible)

HDD:
4.7 GB for CD/DVD versions / 11 GB for EA Downloader version (5GB for download, 6GB for install)

Sound:
DirectX 9.0c compatible

DX:
DirectX 9.0c

Resolution:

ODD:
8x DVD drive (Europe) / CD drive (North America)The Collector's Edition only comes in PC-DVD format and requires a DVD drive

Network:
512 Kbps connection; 2-8 Players

SAW.....watch 'em all...


Saw is an American horror franchise that currently consists of five films, one future film, and various other forms of media. The franchise began with the film series, which was created by director James Wan and screenwriter Leigh Whannell, who remain with the franchise as executive producers, along with Oren Koules and Mark Burg. As well as being an executive producer, Whannell also wrote or co-wrote the scripts for the first two sequels.
The franchise is pretty cool around the fictional character of John Kramer, also called the "Jigsaw Killer", introduced in Saw (2004), who rather than kill his victims outright, traps them in situations, which he calls "tests" or "games", in order to test their will to live via physical or psychological torture.
The original film was released in 2004, and following its success a series of sequels was produced by the independent film company Lions Gate Entertainment. The film series as a whole has received mixed reviews by critics, but has been a financial success at the box office.

Monday, May 11, 2009

THE JAMES BOND COLLECTION


All of BOND.....JAMES BOND....put together....




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JAMES BOND : Goldfinger


Goldfinger (1964) is the third spy film in the James Bond series, and the third to star Sean Connery as the fictional MI6 agent James Bond. It is based on the novel of the same name by Ian Fleming. The film stars Honor Blackman as Bond girl Pussy Galore and Gert Fröbe as the title character. The film was produced by Albert R. Broccoli and Harry Saltzman, and was the first of four Bond films directed by Guy Hamilton. The story has Bond following gold smuggler Auric Goldfinger, who plans a nuclear detonation inside the Fort Knox gold depository.
The film was the first official Bond blockbuster and made cinematic history by recouping its production costs in record-setting time, despite a budget equal to that of the two preceding films combined. Goldfinger was also the first Bond film to use a pop star to sing the theme song during the titles, a hallmark that would follow for every Bond film since except On Her Majesty's Secret Service

AMERICAN PIE


THE ALL TIME BEST......
ALL D SIX MOVIES PACKED TOGETHER...
NJOY....

Saturday, May 9, 2009

JAMES BOND: From Russia With Love

Sean Connery's second outing as James Bond became his personal favorite, and that of many Bond fans around the world.
James Bond 007 is on the search for a Russian decoding machine, known as Lektor. Bond needs to find this machine, before the evil SPECTRE organization discovers it first. Whilst being romantically linked with Russian girl, Tatiana Romanova, Bond sneaks his way around Istanbul, whilst each SPECTRE agent tries to pick him off, including the over powering Donald 'Red' Grant and ex-KGB agent Rosa Klebb who knows all the tricks in the books and even possesses an incredible poison tipped shoe!

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Friday, May 8, 2009

JAMES BOND : DR. NO

DR. NO
The first entry in what was to become the most profitable movie series of all time is a solid, surprisingly modest spy thriller, enlivened by Sean Connery's screen charisma and occasional hints of the extravagance to come.

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Watch movie online

Thursday, May 7, 2009

Poseidon(2006)




The disaster movie is tricky. You either bring out the disaster early to try and gain the audiences interest soon or you wait while building tension towards the threat. This outrageously expensive remake of a 1972 film, Poseidon Adventure, is one that runs out of steam early by giving audiences what they want far too early. All that’s left is for clichéd, dull, uninteresting characters to discover a way out of their predicament.

As if on cue, things begin to go south at the 15-minute mark. After establishing the characters at a most basic level, a rouge wave slams the side of a cruise ship (rather obviously named Poseidon), knocking it upside down in the middle of nowhere. Thanks to their cell phone carriers lack of underwater service, no survivors are able to call for help. If they were lucky, family could help get them out of this movie before it gets any worse.
Most of the films budget was obviously spent on this extra
vagant sequence, brutal and spectacular to watch. Some of the people falling to their death land harshly on what have now become the main floor. A few certainly challenge the MPAA’s PG-13.

Even at a brisk 90 minutes, the film is over after this point. If you’ve ever seen a disaster movie before, you can pick out the victims early, aside from one surprise late in the film. The characters slowly prowl through the overturned ship, and of course their paths only become deadly when the last person is trying to make it past a section. It’s amazing how the ship can hold together when the main characters are progressing, yet falls apart the minute an unknown makes a move.

Their journey is rife with standard plot devices, from the overbearing father to the annoying attempt at comic relief. Dialogue breaks down into standard “yes” and head nodding as they put simple plans of escape into action. When they do talk, it’s simply to let the audience know what the plan is in plain English. It’s always good to have someone on hand to explain any technicalities regardless of the situation.

Poseidon is over once the escapees decide to take along a kid too dumb to know when to get out of danger. If there’s a golden rule with disaster movies, it’s that the kid is never the smartest choice for your party. The second rule is to not spend mounds of cash making them unless they’ll try something unique.

Poseidon makes solid use of the format. Set details are gorgeous, and the extra effort spent setting them up pays off in higher resolution. Black levels are pristine, along with rich color. The only noticeable problems come from a light grain, noticeable mostly in the opening 15 minutes, though it does tend to creep up on occasion later. It’s a minor flaw at its worst, though it’s definitely there if you’re looking.

Presented with a high end Dolby True HD mix, the film simply couldn’t sound any better. The wave sequence alone is the worth the entry price for audiophiles. The boat rocks and sinks throughout, providing flawless audio cues to its status. Audio volume is significantly high, and makes a huge impact during action scenes, though it can make quieter dialogue difficult to decipher during downtime.

Warner releases this HD disc with their new In-Movie, hosted by star Josh Lucas. These rather annoying although informative features run concurrent with the movie via picture-in-picture window, and are unavailable elsewhere on the disc. Outside of the film, the History Channel provides an informative look at Rogue Waves, the phenomenon, and what scientists are doing to learn about them to prevent future problems. Generous clips from Poseidon fill some of the running time.

Poseidon: Upside Down is an 11 minute look at the films giant sets and trouble constructing them upside down. Ship on a Soundstage further looks at the issues the crew had assembling the film from all aspects. It’s a lot of praising and talking heads over some nice behind the scenes footage.
The best feature on the disc is Shipmates Diary following a young film student on her trek through her first Hollywood feature. Her comparisons to her school projects in terms of scope and money are priceless. If you’re wondering why these Hollywood epics cost so much in the end, this shows a lot of the reasons from food down to the lowliest jobs on the set. It’s a shame this is only 12 minutes.

Director Wolfgang Peterson wraps up a trilogy of water/ship movies with Poseidon. 1981’s Das Boot, a super long (nearly five hours) submarine epic is by far his best work, following that up almost 20 years later with the George Clooney vehicle Perfect Storm in 2000. He should have quit while he was ahead.



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Wednesday, May 6, 2009

Lions For Lambs(2007)


By the time the credits rolled on Lions for Lambs, I sat there in the darkened theater as my fellow patrons made for the exits wondering if that's all there is. It felt incomplete and I was not engaged. I like going to the movies... no, I love going to the movies. That said, I do not go to the movies for a lecture. I made that mistake once with Al Gore's An Inconvenient Truth (the information was good, but it was not a good "movie" and certainly not worthy of its Oscar win).

When I go to the movies I want to get caught up in the characters, their journey, their story, as well as the technique and visual flair used in telling the story. It's too bad I did not get that level of involvement with this. Lions for Lambs is 90 minutes of talking with little in the way of action or character development. The characters are there to fill the needs of the script rather than inhabiting this world, a conveyance for the thoughts of the writers rather than containing any semblance of organic growth. Still, it is not a complete loss; it is watchable although it is rather mediocre and incomplete.

Lions for Lambs is the latest of the recent spate of Iraq war-themed films unleashed by Hollywood upon an unsuspecting movie-going audience. No matter where you turn it seems as if a new one has arrived to add to your cinematic choices. It could also become the latest to be deemed a box office disappointment. By and large audiences are voting with their wallets and are giving these war movies a lukewarm reception. We live this war every day, be it in the papers, the evening news, or all the reports on the 24-hour news nets. Do we really need it on the big screen as well?

Something tells me that these films would be better received if they were disguised as something else, perhaps some science fiction or something more modern but a bit more obtuse. It's hard to ask people to pay to see a cinematic lecture on current world events when they may want to escape reality for a bit into an engrossing film. Then there are people like me who will see just about anything and blow this concept right out of the water.
Lions for Lambs plays out three stories running in parallel, nearly in real time save for a few flashbacks to help flesh them out. The centerpiece would be the verbal sparring between Tom Cruise, as presidential hopeful Senator Jaspar Erving, and Meryl Streep, as reporter Janine Roth. Their meeting is focused on the launch of a new strategy in Afghanistan that would turn the tide of the war and deliver an American victory. Jaspar is not backing down on his belief that this is the way of the future and will ensure a win. On the other side of the coin Roth is attempting to get some actual detail from Jaspar with regard to his conviction that this is the correct way to go.

On the other coast we are introduced to Professor Malley(Robert Redford) who is having an early morning meeting with a smart and promising student who has stopped caring, Todd Hayes (Andrew Garfield). They discuss the way government is working and the ways to incite change, the point being Malley's desire to give Hayes a little fire, get him involved with something, anything. Hayes represents most of us, bright, yet unmotivated and unwilling to try something under the belief that we would end up in the same place anyway.

The third story follows a pair of Malley's former students, a bright pair with the world at their fingertips who, as part of a class debate (seen in flashback) put their words to the test and enlist in the army. As the film begins, the duo, Ernest Rodriguez (Michael Pena) and Arian Finch (Derek Luke), are part of Jaspar's new initiative. They head into the snowy peaks as part of a small group charged with taking the high ground before the Taliban can move in. However, what is believed to be a safe zone is still very hot, and the two are left injured and exposed.

What did I get out of the movie? Well, the politicians got us in before we should have, not even considering if we should have, the media is at least as culpable for selling the war to the public, and it is the little people, the everyday Joes, who pay for it. Yes, if not for government and the media we would not be in this war, or at least not in the version we are living today.
Lions for Lambs is an indictment of the government and the media, and shows how everybody pays for decisions that are made. We even get a bit of the blame placed on America in general as we have become too complacent to fight for anything. Pretty much everything in the film is a point that is believable, if arguable. The problem is that for a 90 minute film it is all talk. Seriously, this movie is all about the talk. Talk, talk, talk.

It starts off potentially involving as each of the players is intriguing in their own right, but I kept waiting for something big to happen. They just kept talking, and talking, and then the movie was over. So, without much going on beyond the talk, any interest is going to lie with the star power. To a degree it works. Cruise has the smarmy politician down, Streep is fine as the conflicted reporter, and Redford has a laid back charm as he tries to start a fire. Pena and Luke carry the heart of the movie and represent the only characters that I actually cared anything for.

Bottom line. I did not feel that this movie broke any new ground and did not succeed in telling us anything that we didn't already know. The resulting product amounts to a lecture. Did I like it? To an extent, I just wish that there was more to it. It survives on the strength of the stars and the conviction with which they bite into the roles.


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October Road


October Road is one of those shows that gets criticized for being predictable and sappy, but is in fact a great little dramedy in the vein of movies such as Beautiful Girls and No Looking Back.
The show is about Nick Garrett (played by Bryan Greenberg of the cable television gem Unscripted), who leaves Knights Ridge, Massachusetts, for six weeks to travel around Europe, with four high-school best buds and a girlfriend Hannah (played by Laura Prepon of That ‘70s Show fame) patiently waiting for his return.


Ten years later, Nick lives in New York and is a successful novelist, having written a book, Turtle on a Snare Drum. But he has yet to write a second book. To make matters worse, his first success is tightly based on his experiences growing up, and he has made a lot of frenemies as a result of divulging his version of the truth to the masses -- so much so that he’s never even been back home since he left.


But what would a good drama be without some tension? Nick decides to return to town under the guise of a new teaching gig at a local university, and havoc ensues.
Hannah now has a 10-year-old son, Sam (played by Slade Peace), who Nick comes to believe is his child. Along with the main storyline, involving Nick, Hannah, Hannah’s boyfriend Big Cat (played by Warren Christie), and Nick’s pseudo-girlfriend Aubrey (played by Odette Yustman), there’s also the shut-in Physical Phil (played by Jay Paulson), who hasn't left his house since 9/11; bitter Eddie (played by Geoff Stults), with whom Nick was supposed to start a business when he got back from Europe, and who currently has a crush on Janet (played by Rebecca Field); and Ikey (played by Evan Jones), who is having an affair with the wife of Owen (played by Brad William Henke).

Free Download:
http://dl.btjunkie.org/torrent/October-Road-seasons-1-amp-2-complete/2908061af9c84df363fb0082a1d9fc87caf010058b46/download.torrent

Tuesday, May 5, 2009

Micael Clayton(2007)


In this classic, suspenseful drama, George Clooney plays a man caught between his conscience and the greed of corporate America. Reminiscent of many recent whistle-blowing cases, this film is a thrilling character study of people forced to make decisions, as depicted through a multi-layered story based on flashbacks.

Michael Clayton (George Clooney) is a 45-year-old attorney with the prestigious New York law firm of Kenner, Bach & Ledeen. He doesn't really practice law because he is used as a "fixer", better known as the man with the ability to solve other people's problems. A former criminal prosecutor from a working-class neighborhood, he is an anomaly at this high-powered firm. His boss Marty Bach (Sydney Pollack) finds Michael's talents a necessity in cleaning up the firm's uncomfortable problems quickly and quietly. Michael gets a call concerning the firm's top litigator, Arthur Eden (Tom Wilkinson), who has suffered a mental breakdown. This incident is linked to a cover-up jeopardizing a lucrative case, so Michael's talent for fixing a problem is needed. At the same time Michael has his own problems he needs to address immediately. His life is in a mess -- he's a compulsive gambler, a lonely divorced man, and is under the pressure of owing money to "wise guys" due to an unwise investment in a restaurant business venture that failed.


The cover-up is the meat of the plot. This sets the tension up involving the corporate espionage of U/North Corporation, the client of Kenner, Bach & Ledeen. U/North's newly appointed chief counsel and litigator Karen Crowder (Tilda Swinton) finds her career hanging on the multi-million dollar settlement of a class action lawsuit. Arthur Eden's feelings of guilt over his part of representing U/North causes him to sabotage the case by becoming a whistle-blower. Arthur discovers evidence of toxic waste polluting a region resulting in illness and death. Murder and bribery isn't beneath anyone who wants to hide the secrets of corruption. Michael must decide on what is important in his life.


George Clooney - political advocate, writer, director, and actor - gives an excellent performance in portraying this complex character. He establishes a genuine depth as a man dealing with multiple issues and coming to grips with what he takes seriously in life. It's always a marvel to see Sidney Pollack on screen and in this film he is very effective as the head of the law firm. Tilda Swinton's portrayal of an eager hotshot lawyer in over her head was outstanding. Her role as a struggling, aggressive woman in a man's world was impressive. Her cold persona was always present in every scene. The most formidable performance was by Tom Wilkinson as a bipolar and manic depressive, brilliant man set on exposing a fraud. He is outstanding in the limited scenes he has in this movie
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The kingdom(2007)





It seems like forever since the first trailers appeared for The Kingdom. It was like the film was getting ready for release, and then the trailers disappeared. Months later they reappeared and the release date actually appeared. I am not sure why the release was so delayed from the initial advertising push. Whatever the case, positive word-of-mouth swirled around the picture until it finally arrived on the big screen. Now that people are seeing it, word seems to be greatly split. Fortunately, I don't care about them and neither should you. The Kingdom is an exhilarating action/thriller that will have you on the edge of your seat the closer to the climax you get.
The Kingdom is not a completely realistic portrayal of life in Saudi Arabia, nor is it terribly realistic in any other sense. Still, it feels real. This is a movie that exists in a heightened reality, a world a few steps removed from our own. It portrays events that could happen similarly in our world, but not really. If you want real you will need to look up a documentary, watch world news, or go to Saudi Arabia. Fortunately I do not go to the movies to see realism, just a good story that plays by the rules it sets up. This story is believable within its own confines; it doesn't contradict itself and delivers exciting goods in the process.

The movie opens with an attack on an American housing facility in Riyadh, capped with a suicide bombing in the midst of a softball game. That is followed up in short order by an explosion that takes down buildings and leaves an enormous crater in its wake. Back in the States, an FBI response team recommends sending a team over to aid the Saudi forces in their investigation. Of course, this idea does not go over well. So, in the tradition of decades' worth of action films, our heroes go above and beyond in order to find a way into the country regardless of their superiors' feelings.


Leading the team is Ronald Fleury (Jamie Foxx). He is joined by Grant Sykes (Chris Cooper), Janet Mayes (Jennifer Garner), and Adam Leavitt (Jason Bateman). These guys are more than ready to hit the ground running and bring these terrorists to justice. They are met by American embassy man Damon Schmidt (Jeremy Piven), who attempts to guide them through the customs and requirements of the Saudi kingdom.
The middle portion of the film turns into a procedural thriller as the team investigates whatever evidence they are able to get their hands on. This stage of the game has them attempting to navigate between the lines of what the Saudi royals will allow them to do. Then, just when you think it is over, the action ramps up and we get nearly half an hour of incredibly well-staged action. Car chases, gun fights, fisticuffs -- there is a little bit of everything.

Throughout the entirety of The Kingdom, there is always something to be entertained by. Even when the bullets aren't flying and we have to be content with mere talking, The Kingdom offers great entertainment. Not to belabor the point -- this is not real, I do not watch this film and see any kind of documentary-style truth to it. Rather, I watch this as an intriguing work of fiction that is sideways related to the real world. The script by Matthew Michael Carnahan and direction from Peter Berg will draw you in and completely hold your attention. You will find yourself wondering what is going to happen next as you become more and more invested in the story.

Peter Berg injects a lot of energy into the proceedings, employing Paul Greengrass-style shaky cam throughout the action sequences. He knows how to put you right in the middle of the action and keep you there unflinchingly as the chaos flies all around. Add to that a script that has an interesting story that ties into world events, yet never becomes mired in explaining everything or trying to impart a message. It does keep everything fast and loose with a healthy injection of humor. Creatively, it finds itself in between serious fare like Syriana and more populist outings like Live Free or Die Hard. For the most part it succeeds at walking that line between serious and fun


The performances are all quite good, with each actor filling a required component. Foxx is the tough guy leader who will stop at nothing to get the job done. Jennifer Garner carries the emotional weight of the film. Chris Cooper has an eager energy that is laced with humor. Bateman is the smart-ass, always ready with a quick one liner. Beyond the FBI team, there is the performance of Ashraf Barhom as Colonel Al Ghazi, leader of the Saudi investigation. His work is phenomenal, filled with emotion and unease, seemingly in a no win situation.
Bottom line. Looking for an exciting film that will have you guessing what will happen next? A film that delivers an interesting story blended with frenetic action? Do you like a little comedy infused with your serious drama? If you answered yes to any of these questions, give The Kingdom a shot. Peter Berg has directed a nice slice of real world-inspired action.


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Monday, May 4, 2009

Bourne Supremacy(2004)


The Bourne Supremacy

Plot

Robert Ludlum wrote a series of novels in the 1980’s about a secret agent named Jason Bourne with amnesia. In 1988 a TV miniseries was made, and in 2002 Hollywood caught up with the story enough to produce The Bourne Identity as a full film, an excellent film in top-notch form. It has been called the thinking man’s action movie.

Going into the sequel, having never read the books, I was leery of a rehashed plotline and less-than-interesting writing. Turns out I was pleasantly surprised. The characters were authentic from the first one, however they progressed the story well. We are privy to some details of the mystery of Jason Bourne’s identity that he is not, which makes following his questions and actions a little confusing. Thankfully, we get to see the world through Jason’s eyes most of the time, and this brings excitement to the film.

Caution Spoilers Ahead

There is a scene with another agent that did seem gratuitous to the plot, as the character is not set up, but is used as a vehicle for spy-on-spy combat, and a big explosion. The cool girlfriend from the first movie is in this one for a little bit, unfortunately not long enough.

The plot keeps me waiting for the next movie, but in the mean time, can anyone tell me if the movies follow the book plot lines well?

Acting and Casting

Matt Damon really is an excellent actor. He shines in the role of Jason Bourne in the Bourne Identity series. I’m impressed with his physical presence and ability to become a character so thoroughly that the fact that he’s acting becomes obscured. Sometimes the directing got in the way of his acting, by cutting into disconnected scenes which highlighted the fact that all Matt had to do for that scene is jog or something.

Joan Allen plays a CIA chief and she almost single handedly ruined the entire movie. Her acting was very obviously forced, and her rigidity gave an inauthentic feel to her scenes. Did Ludlum write a domineering woman into this role or did Hollywood make changes to suit political correctness?

Julia Stiles gave a better than last time performance. Enough said.

Action

The tunnel sequence was top-notch. In the James Bond series Bond’s coolness takes first seat to realism. In the Bourne series, Jason gets shot, seriously hurt, and his car chases include numerous bang-ups and slam-downs.

The realism doesn’t go too far, however, as tires don’t pop when they ought to, and glass doesn’t hurt like it should. The agent-on-agent fight scenes are edge-of-seat material.

Directing

I really enjoyed the directing style of this film. During action sequences it was so jostled one couldn’t really tell what was going on. This however, gave a very realistic “in-the-fight” effect, which is often tried, seldom accomplished. Think of how the directing style animated the plot in Traffic, and then apply that to the action genre.

There was a lot of footage taken in Moscow, Russia. I wanted to pause the movie for the Moscow skyline panoramas, which looked different that I expected.

Many questions are left unanswered

Does Jason Bourne have a choice as to whether he runs or dies? Will the government stop trying to kill him? Were those killed in the 2nd movie the last of his real enemies? Did Jason Bourne have a nefarious business deal with the Russians?

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Bourne Identity(2002)




Bourne Identity opens with our unidentified protagonist afloat in the Mediterranean, presumably dead. He is picked up (unconscious) by a fishing boat where immediately it's apparant that he is not just a regular shmoe. The closest the boat has to a doctor pulls bullets out of our mystery man's back, as well as an implanted capsule containing what seems to be a bank account number saved in a rather ingenious way. Mystery man (Matt Damon) awakens briefly, groggy but immediately aggressively defensive, and it's divulged that he does not know who he is.


From there on we see that we'll be taken on a journey where we will know just as much as he does, and things will be made clear only as he discovers them himself. Shortly after arriving back on land (in Germany), clueless as where to turn, we get a peek at what is to come. Our hero is accosted from his sleep on a park bench in the middle of the night by two police officers, and before you can say "what happened?" he overpowers the two gentlemen.
The cool thing about that scene is that when he defends himself, he seems to go into autopilot, surprising even himself in the knowledge that he knows how to beat the hell out of two guys in as many seconds flat.


And so it goes from there, but never quite where I thought it would go. I was kept very interested in the film by wanting to figure out who and what he (ok, Jason Bourne) was and how he arrived at his current status.

Plenty of very cool fight scenes, edited such that although they are fast-paced, you can actually see what's happening. Of course there's also the required car chase, which was well done in that it was fairly realistic... for a movie car chase.
The look of the movie was very much 60's spy flick, but with a faster pace. There just seems to be something about shooting in Europe that makes films seem more timeless.
But if I had to point out just one thing that made this move enjoyable, it's envy: Here's this guy, wakes up half-dead with no clue who he is, but he manages to piece together who he is, where to go to find out more, and how to go about it... all the while having these kick-ass martial arts skills and spycraft abilities.


I really thought he was just the coolest character ever as I sat there on my couch with a blanket over me and a glass of milk on the coffee table.

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Bourne Ultimatum(2007)


The cinematic entry of the Bourne franchise remains so in name only. Whether or not that’s a bad thing is a debate for another time and place Once Bourne made the transition from page to screen, he inhabited another universe; one he was ready to conquer with his special blend of mystery, heroism, and quest for redemption.

The Bourne Ultimatum gets a little playful with its narrative, sandwiching the first acts of the film in between the conclusion of Supremacy, and that film’s epilog -- a daring, and altogether useful choice. Still on the run from those who would brand him a criminal, Bourne learns a reporter has begun writing a series of articles devoted to his killer alias, and sets out to find the writer with hopes of tearing down the rest of the wall separating Bourne from his past association with top secret CIA program Treadstone.

Though Ultimatum retains much of the creative force behind Supremacy, the focus of Bourne’s evolution as a character fades to the middle ground this time. Indeed, one of the factors that elevated Supremacy above the over-hyped Identity was turning Bourne into a hero with a quest a few shades deeper than cracking yet another web of conspiracy entrenched within Hollywood’s idea of the evil CIA. The evolving narrative of the Bourne legacy has spun around ideas of memory, moral conscious, choice and questions about what it means to be human. Ultimatum breezes past these and other more character defining elements, choosing instead to focus on the action.

And if it’s action you crave, you’re in for a feast. Director Paul Greengrass (United 93, The Bourne Supremacy) brings back the chaotic maelstrom that somehow retains a semblance of order, though it’s already become a bit old shoe. The flurry of cuts, edits and shaky-cam just leave too much room for confusion. At one point, Jason fends off an attacker with a towel, and even dispatches his foe with said linen, though I am at a loss as to the how. I replayed the scene twice, just to be sure, and I’m reasonably confident Jason strangled the poor guy. A minor quibble, perhaps, but a better film would not have left me room to question.

By now, the role of Jason Bourne has become a staple persona that doesn’t allow Matt Damon any room to maneuver with the character. He comes through with what’s provided, though he inspires a little less empathy this time (and maybe, as I stated earlier, this is more of a scripting problem than anything else). His supporting cast is a who’s-who of underused talent. Joan Allen returns as CIA deputy director Landy, and unfortunately has less to do this time, running second fiddle to the villainous Noah Vosen (David Strathairn), a cookie-cutter CIA bad guy taking orders from the shadowy Dr. Hirsch (Albert Finney).

The plot stays thin and light, always playing around with hints of depth and intrigue, but only enough to make the stakes feel more important rather than earning real importance. Dialog merely transitions the narrative to the next action set piece, and I’ve seen better delivery from a high school drama club. But seriously, who comes to these movies to see an actor chew scenery?

Downshifting Bourne as a character on this carnival ride has weakened assertions that he has become the action hero of the age. We had the opportunity to glimpse his beating heart through his relationship with the ill-fated Marie (Franke Potente), but Ultimatum fails to reconnect on that level. It’s an enjoyable, candy-coated escape that keeps its hand submerged in weightier themes just enough to elevate it over most actioners (see Peter T. Chattaway’s discussion of the trilogy’s water symbolism). Is it enough to earn Bourne a place alongside the likes of Eastwood’s Man with No Name, Dirty Harry, or even Bruce Willis’s John McClane (sequels notwithstanding)? Maybe. But again, a better film would not have left any doubt.

The Game Plan(2007)




The Game Plan is not a terribly original movie. It does not break any new ground or offer up anything surprising for the genre. The plot points, save for one, are all telegraphed early on. If you cannot see the direction it is heading in early on, you have likely not seen that many movies.
Sort of sounds like I didn't care for the movie much, doesn't it? Well, sometimes what would appear to be criticism is exactly the opposite. It is a familiarity that works within the confines of the film. They say that familiarity breeds contempt; however, if you have the right ingredients you can change that feeling of contempt to something that more closely resembles respect. There is nothing wrong with making a film like this. The problems enter the picture when the creative team offers up little in the way of energy.

Take a look at something like The Pacifier. The concept and execution were devoid of passion and energy. The end result was a flat bore. Sure, it filled a need, but it did not do it very well. Compare that with the similarly themed No Reservations from earlier this year. That film leaned more towards the romantic and dramatic than the straight up comedic, but it was created by people who had a passion for the story. The end result was something that had a lot of heart and delivered a story that hit home even if the originality was not there.

When making a genre picture, be it science fiction, horror, action, or family comedy, it can be tough not to fall into the traps. The Game Plan is no exception. It does not avoid the clichés, it doesn't even try to. What it does is embrace them. It embraces them and uses them to its own advantage. They are capitalized on by the cast. In short, The Game Plan is nothing new, but it offers lots to smile about and will have you leaving the theater happy.

Dwayne "The Rock" Johnson stars as Joe Kingman. He is an egotistical, self-centered football star who lives the life of a playboy. He always makes sure to watch himself on Sportscenter, and has a luxurious apartment plastered with photos of himself alongside posters of his hero, Elvis Presley. His life is thrown for a loop when an 8-year-old girl named Peyton (Maddison Pettis) arrives on his doorstep claiming to be his daughter. From this moment on Joe's life is thrown for a loop. He struggles with the possibility that he really is her father, and then his publicist enters the picture. Her name is Stella (Kyra Sedgewick), and she is clearly not a mother. She comes in looking for a way to do damage control and protect her income by protecting her client.
The rest of the film follows the slapstick exploits of Joe trying to play father and Peyton trying to be his daughter. There are gags involving a bedazzler, putting Joe's bulldog in a tutu, and a cinnamon allergy. Not all of them work, some go on too long, but by and large they work. They probably work as well as they do due to the cast.

It is my belief that Dwayne Johnson (sans "The Rock") will be a big star. He just needs that one killer role to put him over the top. I doubt this will be that role, but it does go a long way to prove his versatility (something that is really evidenced by his complete filmography). He has already proven that he can anchor an action film (The Rundown), stand out in a comedy (Be Cool), and lead a more dramatic film (Gridiron Gang). The Game Plan plays off his excellent comic timing, and high level of charisma and screen presence, not to mention his willingness to poke fun at his macho image. He has all the tools needed to succeed.

There are a few moments in this film where he is able to convey some surprising depth with Joe Kingman. I am thinking specifically of a scene early on. A party in his apartment is dying down, and he says something to a teammate, played by Morris Chestnut, about having a life. Chestnut responds that family is life and, gesturing around the bachelor pad, that is not life. This is followed by Joe sitting down in the middle of an empty apartment, surrounded by his own memorabilia. It is a quiet moment that reveals much about Kingman, the movie in general, and about Johnson's ability to pull of something of such depth in the midst of a cliched family comedy.
Now, Johnson is not alone in making this as enjoyable as it (although he is a big reason). Maddison Pettis is good as the precocious youngster. She perfectly fills the cute role, displaying some good comic timing of her own. It doesn't hurt that she and the rest of the cast appear to have had a great time on set. She may be the smallest of the cast, but she more than holds her own.

The supporting cast is all good as well, including Sedgewick and Chestnut. Joining that pair is Roselyn Sanchez as Peyton's ballet instructor and romantic interest for Joe. This is a nice point as it is clear the two are meant to couple up, but it is subtle, much moreso than you would expect for this type of movie. There are even some big laughs to be had with Joe's teammates played by Hayes MacArthur, Brian White, and Jamal Duff.
Bottom line. Now, The Game Plan is not going to win any awards and is likely to be forgotten by many, but it definitely put a smile on my face. It delivers laughs and has a good heart. This is worth spending some of your time with, particularly if you have children.

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Saturday, May 2, 2009

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Wednesday, April 29, 2009


Maggie Fitzgerald (Hilary Swank), an amateur who aspires to prove herself by becoming a successful boxer, is reluctantly taken on by Frankie Dunn (Clint Eastwood), a brilliant but down-and-out boxing trainer who has been cast aside by his colleagues and relatives, including his estranged daughter, Katy. Dunn helps Maggie realize her goal while developing a stronger-than-blood bond with her. Initially, Dunn's attitude towards Maggie is indifferent, because she is female and already 31 years old. Maggie, however, perseveres in her attempts to win Dunn's favor by training each day in his gym, even when others discourage her. Frank's friend and employee, ex-boxer Eddie "Scrap Iron" Dupris (Morgan Freeman) narrates the story in non-dialogue scenes.
Dunn writes to his estranged daughter every week but receives no replies. Dunn's priest cannot fathom why Katy would not respond and instead doubts Dunn's claims that he writes to her. Dunn himself, lacking a close relationship with his daughter, establishes a strong one with Maggie, whose own family cares little for her well-being. When Maggie buys her mother a house, she is not grateful and castigates Maggie for putting the welfare scam she and Maggie's sister are running at risk. Dunn coaches Maggie and manages her professional career. With his expert help, she fights her way up to the women's welterweight boxing division, and eventually ranks high enough for a match in Las Vegas against the WBA women's welterweight champion, Billie the Blue Bear (played by real life boxer Lucia Rijker), who is known to get away with committing fouls.
During the match, an illegal attack by Billie causes Maggie to hit her head and neck on her corner stool, which the frantic Dunn is unable to move out of the way in time. As a result, Maggie is paralyzed from the neck down, and Billie apparently retains the championship with no police charge. Dunn, venting his rage at the injustice, initially blames Scrap for convincing him to train her, but in the end blames himself for having worked with her against his better judgment.
In a medical rehabilitation facility, Maggie hopes that her family including her brother, Mike (who is played by British Actor Chris Jób) will visit her, though Dunn repeatedly calls them with no success. Eventually, the family arrives—after first visiting a Universal Studios theme park—with an attorney in tow (In the end the family did move into the house Maggie bought them), to arrange the transfer of Maggie's assets to them. Dunn is appalled, but Maggie gets the last word when she lets her mother know that Maggie actually has the title to the house she gave to them and gives her mom a choice: leave and never contact her again, or have Maggie sell the house and get tossed into the streets without a cent. Her defeated family disappears and do not return. Eventually, she confides to Dunn that she has "seen it all" and asks to be relieved of her suffering. Dunn refuses to help her die, but does speak with his priest, who objects to the idea of euthanasia, sympathetically but firmly saying that it is murder and if Dunn does this he will be lost to everyone including himself. Maggie then attempts suicide by biting her tongue multiple times in an attempt to choke to death on her own blood. Though hospital staff prevent further suicide attempts, Dunn decides that Maggie's suffering should not continue, and he injects her with an overdose of adrenaline.
Just before administering the injection, Dunn finally tells Maggie the meaning of the nickname by which he has called her; the phrase, Mo Chuisle, which he says is Irish for "My darling, my blood", (although the actual meaning is "My pulse"). Afterwards, as Scrap explains, Dunn disappears. Scrap's narration is revealed to be a letter to Dunn's daughter, Katy, informing her of her father's true character.

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Anna Faris and Regina Hall are back as the lovable, dim-witted Cindy Campbell and her self-serving, sex-crazed pal Brenda Meeks respectively. They are joined this time around by Craig Bierko as the cute, but utterly clueless, Tom Ryan. Together, they battle to save the world from a ruthless alien invasion. Cindy moves in next to Tom because she's taking care of an old lady. She later finds out the house is haunted by a little boy and goes on a quest to find out who killed him and why. Also, Alien "triPods" are invading the world and Cindy has to uncover the identity of the young boy's murderer in order to stop them.



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Katie (Jenny McCarthy) tells Becca (Pamela Anderson) about a tape she saw which allegedly kills people seven days after watching it. Shortly afterwards, Becca finds Katie drowned, sitting in a chair.
In a farm outside Washington, D.C., Tom Logan (Charlie Sheen) is woken by a girl screaming. Tom goes outside to investigate and meets his brother George (Simon Rex). They discover a crop circle. When it's shown from above the circles make up an arrow with a sign pointing to the farm that reads "ATTACK HERE".
In Washington D.C., Cindy Campbell, an anchorwoman, goes to pick up her nephew Cody (Drew Mikuska) at school, who according to Cindy's friend and Cody's teacher Brenda Meeks (Regina Hall) has been having visions. George Logan arrives and invites Cindy and Brenda to a rap-off.
Cindy goes to Brenda's house that night and Brenda tells her that she watched the killer tape and needs protection. Tabitha the ghost comes out of Brenda's TV, knocks Brenda over and strangles her. Cindy finds her body.
At Brenda's funeral, Cindy gets the killer tape which Brenda watched and takes it home with her. George and Mahalik arrive and are told that they are at a wake. They mistake this for the fact that Brenda is not dead, and try to revive her.
Meanwhile, Cindy watches the tape and gets a call from Tabitha who tells her she will die in seven days. She calls George, CJ and Mahalik, and they rush to her apartment. CJ comments his Aunt Shaneequa is an oracle and she could help Cindy. She goes to see her and leaves George to look after Cody. Aunt Shaneequa (Queen Latifah) and her husband Orpheus (Eddie Griffin) agree to help and Cindy gives them a copy of the killer tape. After watching a segment of it Aunt Shaneequa discovers a backmasked picture of a lighthouse and she tells Cindy to find it.When Cindy returns home, Cody has just watched the tape.
At work, Cindy looks through various pictures of lighthouses and finds the one in the tape, but she leaves the tape behind and her boss grabs it. Cindy arrives at the lighthouse where she meets The Architect (George Carlin) who tells her the real story of Tabitha and how the killer tape got out in the world, The Architect had rented Pootie Tang but accidentally returned the killer tape in Pootie Tang's box. He also says that Tabitha was their evil daughter and that his wife drowned her in the family's farm well while he thought a time-out would have worked. Meanwhile in the White House, President Baxter Harris (Leslie Nielsen) and his main agent, Agent Johnson (Ja Rule) beging worrying about the Alien Invasion warnings that Cindy Campbell had given in the news show and after destroying a Mother Teresa award ceremony believing that a lot of people there were Aliens in disguise, Johnson and President Harris go to look for Cindy in the Logan Farm.
Upon arriving home again, Cindy discovers that her news show has broadcasted the killer in the airwaves for hours and now several people are in danger, she thinks things out and decidees to go to the Logan Farm where she knows the aliens will land. In the Logan Farm, Tom has everybody in the house go into the basement for refuge while he, George and Mahalik go outside to fight off the aliens. Suddenly, two aliens sneak up behind Mahalik, Tom and George when Secret Serviceman Jones and President Baxter Harris arrive and accidentally run them over. Baxter tells them he came looking for Cindy since he claims that she may hold the key in defeating the aliens. Baxter then notices the UFOs mistaking them as the Air Force in those "new round planes." Just as the UFOs get closer, CJ arrives with an army of rappers and among them are Master P, RZA, Raekwon, Method Man, Redman, Macy Gray and U-God. However, they have an argument and shoot each other dead.
After that, the aliens strangle Tom, George, Mahalik, CJ, Baxter, and Secret Serviceman Jones, Mahalik breaks free and knocks the head off of one of the aliens claiming "without their heads, they're powerless". The aliens' leader (voiced by Tom Kenny who also voiced the other aliens present) talks and reveals they came to earth because they need to kill Tabitha since they watched the killer tape, believing it to be Pootie Tang. When Mahalik asks why they were choking them, the aliens explain that strangulation is how they say hello. When George asks how they say goodbye, an alien kicks him in the genitals. Showing more of their oddity, one of the aliens shows them that they pee through their pointer finger which disgusts Tom at the moment that one of the aliens put his pointer in his mouth. President Baxter Harris quotes that the humans and aliens aren't that different after all and he pees through his pointer finger.
In the basement, Cindy recognizes a shot from the killer tape and then makes a hole in the wood and she finds the well where Tabitha drowned; suddenly Tabitha appears behind her. George goes to look for Cindy and then finds Tabitha attacking her, after a short battle Tabitha pretends the curse is broken so she can attack them (Cindy: "So you won't be evil anymore?" Tabitha: "Nah, I'm just screwing with ya!") but as she prepares to attack, President Harris opens the door behind Tabitha and knocks her into the well. (President, not realizing what he just did: "I just wanted you to know, we're all counting on you".) George seals the well and the curse is over. George and Cindy get married with everybody, including the aliens and Aunt Shaneequa, in the ceremony. As George and Cindy drive away they accidentally leave Cody behind. When they back up the car they are about to hit Cody but stop just in time; however, a car coming from another direction hits Cody and throws him through the air as the movie ends and the credits roll.


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The sequel to Scary Movie begins with a parody of The Exorcist, in which Megan Voorhees (Natasha Lyonne), is possessed and two priests, Father McFeely (James Woods) and Father Harris (Andy Richter), must drive the demon out. The exorcism doesn't go as planned, and a chain of The Exorcist-like vomiting occurs. Megan insults McFeely's mother and he shoots her in the head.
One year later, Cindy Campbell (Anna Faris), Brenda Meeks (Regina Hall), Ray Wilkins (Shawn Wayans) and Shorty Meeks (Marlon Wayans) are at college, trying to live new lives, after the events in the previous movie. (Although all of them died in Scary Movie, in a deleted scene, Brenda says her death was a near death experience, and Cindy was never officially declared dead.) Cindy and Brenda get tagged by a dorky girl, Alex Monday (Tori Spelling); Ray, who is still confused by his sexuality, has two new friends, Tommy (James DeBello) and Buddy (Christopher Masterson); while Shorty is still the same stoner he was in the last movie.
The story begins when a college teacher, Professor Oldman (Tim Curry) and his wheelchair-bound assistant Dwight (David Cross) plan to study the paranormal activity at Hell House, with the clueless teens as bait and for Oldman to get action with the college girls. Newcomer Theo (Kathleen Robertson) also becomes part of the study group.
When Cindy arrives at the Hell House, she meets a talking Amazon parrot who is vulgar and slanderous, and the caretaker, Hanson (Chris Elliott), who has great people skills and a genetically malformed little hand. After some weird incidents on that night (Cindy being beaten up by a cat, a toy clown attacking Ray after he had sex with Brenda, Shorty getting attacked and smoked by a weed-monster, and Alex having sex with a ghost and it "humps" her. The teens finally learn about the professor's plan and try to escape the mansion.
The professor gets killed by a female ghost with disfigured features as the ghost of Hell House's owner, Hugo Kane, seals all exits of the manor to prevent the surviving occupants from escaping. Realizing that killing the ghost is the only way out, the teens are equipped with several technological devices by Dwight that serve to harass and injure the spectral enemy. They are pursued all throughout the mansion. Cindy is chased by an undead skeleton and Brenda rips his bones. Shorty meets the ghost who killed the professor but puts a paper bag on her face and has sex with her. Hanson gets possessed, and Cindy, Brenda and Theo parody Charlie's Angels to get him, but end up beaten up. Eventually, they use Cindy as bait to lure the Kane ghost to a device that ultimately destroys him.
Two months later, taking care of the parrot though he despises her for talking too much, Cindy and Buddy are in a relationship and go out on a walk until ......................

SCARY MOVIE 1

Scary Movie is a 2000 film directed by Keenen Ivory Wayans, as part of Wayans Bros. Entertainment. It is an American dark comedy which parodies the horror, slasher, and mystery genres. Several mid- and late-1990s movies are spoofed, including the more subtle horror film parody series Scream trilogy, The Sixth Sense, I Know What You Did Last Summer, The Usual Suspects, The Matrix, and The Blair Witch Project, while it also parodies many of the classic horror films, most notably Halloween.

Plot
A young teenage girl named Drew Decker (Carmen Electra) is alone in her council house when she receives a phone call. The caller wants to know her better, but she doesn't give in. The caller reveals he is looking at her. Scared, she grabs a baseball bat and answers the front door (thinking it is the prank caller) and attacks the trick-or-treaters. As soon as Drew went inside the house, the caller appears, revealing himself as the murderer Ghostface. Ghostface chases her onto the patio of the house, where he rips her clothes off, which leaves her only clothed with white bra and thong. She runs into the sprinklers in her bikini, the killer catches up with her and stabs her in the breast and pulls out an implant. She went alongside the road and sights her father, only to be run over by him. She is then murdered.
Cindy Campbell (Anna Faris) is on her computer when her boyfriend Bobby Prinze (Jon Abrahams) appears in the window. Bobby is upset because his relationship with Cindy "isn't going anywhere" (i.e., they have not slept together). Even though he expresses this to her, she refuses his intentions and he left Cindy's house.
The next day in school, Cindy meets with Bobby and the rest of her friends, Brenda Meeks (Regina Hall), Greg Phillipe (Lochlyn Munro), Ray Wilkins (Shawn Wayans), and Buffy Gilmore (Shannon Elizabeth). At the school, news teams are trying to interview the police and students who knew the girl who was murdered the night before (her name is identified as Drew Decker). The most prominent among the reporters is Gail Hailstorm (Cheri Oteri), author of the recently released book You're Dead, I'm Rich. Cindy points out to the others that Drew's murder happened exactly one year after they accidentally killed a man during a night of drunk driving, and dumped his body off a pier. Greg swears the group to a pact that they will never reveal what happened that night, and becomes physically abusive to Cindy when she exhibits reluctance.
One class, Cindy receives a note from someone telling her that he knew about the incident with the man they killed. The first appearance of Ghostface to Cindy.
After football practice, Ray and Greg are in the locker room with a bunch of other guys, and when Ray and everyone else leaves Greg for the showers ("Don't let Uncle Ray catch you!"), the latter goes off to the punchbag. After he finishes and take a shower, he finds a note tucked in the door of his locker showing a picture of his small penis. Enraged, he goes to Cindy and the others and tells them about the note, and is ridiculed for it.
Buffy, competing in a beauty pageant, does a dramatic acting piece during the talent portion. During her reading, Greg is murdered by the killer in the balcony. Seeing this, Buffy attempts to warn everyone, but her desperate pleas are taken by the audience and judges as an exceptional acting performance and Buffy stops caring about Greg when she won.
That night, Cindy is attacked by the killer, but she calls the cops and the killer escapes. Bobby shows up with the same gloves and knife as the killer, and is arrested. Cindy goes to stay with Buffy that night but receives a call from the real killer, which results in Bobby's release. Bobby and Cindy later bump into each other at school, but their reconciliation is awkward, stemming in part from Cindy not getting over Ginger Spice leaving the Spice Girls.
The killer confronts Buffy in the girls' locker rooms. Making a sarcastic, metafictional observation about horror movies clichés, Buffy mocks the killer, even as he stabs her, and continues to do so even after he decapitates her. In order to get her to really shut up, he throws her head in the lost and found bucket.
Ray and Brenda go to the movies to watch Shakespeare in Love. Ray, while in a bathroom stall, peeps in on another occupant, and is impaled through the head with a penis. The killer then attempts to kill Brenda in the auditorium, but because of her discourteous behavior, the other patrons kill her before he has a chance.
During a party at her house, Cindy has sex with Bobby. At the same time, the killer shows up at Shorty's house to kill him and his friends, but gets high on marijuana with them instead. When they are rapping with each other, the killer raps and kills everyone at the same time except for Shorty, who was beside him all the time. Shorty congratulates the killer for the rap.
At Cindy's house, the killer shows up and apparently stabs Bobby. As Cindy attempts to attend to Bobby's wound, Bobby shoots Shorty in the left lung, causing marijuana smoke to exude. He reveals that the blood from his "wound" is ketchup, as he was never stabbed at all. Ray appears, very much alive, and reveals that he and Bobby are copying the serial killer. When Cindy asks for a motive, Bobby points out that they don't need one, because horror movies like Scream do not boast logically coherent elements like plot or motive. Bobby also sarcastically suggests that it was lack of sex that drove him to do this, and reveals that he and Ray are gay lovers who will start a new life once they kill Cindy, a crime they will get away with because they are merely copycatting a real serial killer who actually exists. To conceal their guilt, they decide to stab one another in order so that the authorities will believe them to be victims of the real killer. As Ray stabs Bobby, Cindy yells "You guys are psychos! You've seen one too many TV shows!", only to have Ray respond angrily "Watching television shows doesn't create psycho killers - canceling TV shows does! The Wayans Brothers was a good show - and we didn't even get a final episode!" (thus breaking character, since the actor playing Ray is Shawn Wayans). However, the real killer appears shortly afterwards, stabbing Ray to death.
The killer then attacks Cindy, but after she repels him, he escapes. The police show up and take Cindy to the police station, where they find out that Buffy's brother Doofy (Dave Sheridan) was actually faking his mental retardation and is the real killer, and is in cahoots with Gail Hailstorm. After Doofy and Gail escape, the sheriff and Cindy find Doofy's disguise in the street and as Cindy cries out in the street over this discovery, she is run over by a passing car.
During the end credits, two scenes are shown:
~Shorty talking to the audience about his plans to rob a supermarket.
~Doofy breaking up with his vacuum and making out with it.






Monday, April 27, 2009

The Prestige(2007)




“Every great magic trick consists of three acts,” we’re told in The Prestige. “The first act is called The Pledge; The magician shows you something ordinary, but of course it probably isn't. The second act is called The Turn; The magician makes the ordinary something do something extraordinary. Now, if you're looking for the secret you won't find it, that's why there's a third act called The Prestige; this is the part with the twists and turns, where lives hang in the balance, and you see something shocking you've never seen before.”
Unfortunately, it’s during the final act that The Prestige fails to deliver, the finale dropping the curtain on a promising story with an unsatisfactory flourish. For all it’s concern with human obsession and director Christopher Nolan’s track record presenting it in films like Memento and Batman Begins, the film lacks a genuine soul and its complex intrigues, three-part timeline and grindingly mechanical plot twists ultimately untwist in vain.
Even so, there’s much to enjoy in this tale of vengeance between rival London illusionists at the end of the 19th Century. In the earliest timeline, we meet Rupert Angier (Hugh Jackman), Alfred Borden (Christian Bale), trick inventor Cutter (Michael Caine) and Rupert’s wife, Julia (Piper Perabo), assistants to a journeyman magician (played by real-life master Ricky Jay). When a trick goes wrong, possibly due to Alfred’s negligence (though the film contrives uncertainty about this), Julia is killed and Angier swears revenge on Alfred. The two pursue their careers and blood feud across the city, aristocratic Angier the superior showman, rough and ready Alfred the better magician, each inflicting physical harm on the other through diabolical infiltrations of the other’s act. Caught between the pair are Cutter and Olivia (Scarlett Johansson), a magician’s assistant drawn to both men, even when, in Alfred’s case, he’s married to Sarah (Rebecca Hall).
In the second timeline, a science-fiction element arrives with the introduction of real-life scientist Nikol Tesla (David Bowie), as Angier tracks him to Colorado Springs to ask for his help building an incredible trick. Finally, the narrative moves to Alfred’s involvement in Angier’s death, when he is tried, convicted and sentenced to hang. Inbetween, the film flits through periods as each magician uncovers revelations and deceptions in the other’s diary.
For all its many twists and misdirections, The Prestige is deceptively easy to watch, though in retrospect the manipulations feel calculated at the expense of character depth and the biggest revelation arrives as no surprise at all. Given his previous track record on celluloid, David Bowie, is, astonishingly, the best thing in it, yet the plot goes somewhat awry with his appearance. Caine is again solid as the venerable mentor attempting to do the right thing, as is Johansson, though she’s hardly stretching herself in these endless lust interest roles. Rather more compelling is Hall’s anguished portrayal of a wife losing her husband to obsession.
As the leads, Jackman and Bale bring star quality. The latter’s working class accent initially jars, but settles down with familiarity. Neither Angier or Arthur is an easy man to like, a failing of the film, but the actors do their best and make the pair’s extreme focus believable.
The Prestige looks great and there’s too much class involved for it to be anything but entertaining. Even so, a suspicion that Nolan overstretched and overdeveloped his story is inescapable. You leave wondering about the great film this could have been.



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