Thursday, May 14, 2009

NFS : Most Wanted



Minimum System Requirements:
CPU:
Pentium 4 or equivalent 1.7 GHz
RAM:
512 MB
VGA:
A video card with 64 MB memory and one of these chipsets is required:NVIDIA GeForce3 / NVIDIA GeForce4 (Ti series only) / ATI Radeon 8500.Laptop versions of these chipsets may work but are not supported.
OS:
Windows 2000 Service Pack 4 / Windows XP Service Pack 2(64-bit versions are not compatible)
HDD:
4.7 GB for CD/DVD versions / 11 GB for EA Downloader version (5GB for download, 6GB for install)
Sound:
DirectX 9.0c compatible
DX:
DirectX 9.0c
Resolution:
ODD:
8x DVD drive (Europe) / CD drive (North America)The Collector's Edition only comes in PC-DVD format and requires a DVD drive
Network:
512 Kbps connection; 2-8 Players
Recommended System Requirements:

CPU:
Pentium 4 or equivalent 2.4GHz

RAM:
1 GB

VGA:
128MB DirectX 9.0c compatible video card (NVIDIA Geforce 6800+/ATI Radeon 9800+)Laptop versions of these chipsets may work but are not supported.

OS:
Windows 2000 Service Pack 4 / Windows XP Service Pack 2(64-bit versions are not compatible)

HDD:
4.7 GB for CD/DVD versions / 11 GB for EA Downloader version (5GB for download, 6GB for install)

Sound:
DirectX 9.0c compatible

DX:
DirectX 9.0c

Resolution:

ODD:
8x DVD drive (Europe) / CD drive (North America)The Collector's Edition only comes in PC-DVD format and requires a DVD drive

Network:
512 Kbps connection; 2-8 Players

SAW.....watch 'em all...


Saw is an American horror franchise that currently consists of five films, one future film, and various other forms of media. The franchise began with the film series, which was created by director James Wan and screenwriter Leigh Whannell, who remain with the franchise as executive producers, along with Oren Koules and Mark Burg. As well as being an executive producer, Whannell also wrote or co-wrote the scripts for the first two sequels.
The franchise is pretty cool around the fictional character of John Kramer, also called the "Jigsaw Killer", introduced in Saw (2004), who rather than kill his victims outright, traps them in situations, which he calls "tests" or "games", in order to test their will to live via physical or psychological torture.
The original film was released in 2004, and following its success a series of sequels was produced by the independent film company Lions Gate Entertainment. The film series as a whole has received mixed reviews by critics, but has been a financial success at the box office.

Monday, May 11, 2009

THE JAMES BOND COLLECTION


All of BOND.....JAMES BOND....put together....




Download Torrent

JAMES BOND : Goldfinger


Goldfinger (1964) is the third spy film in the James Bond series, and the third to star Sean Connery as the fictional MI6 agent James Bond. It is based on the novel of the same name by Ian Fleming. The film stars Honor Blackman as Bond girl Pussy Galore and Gert Fröbe as the title character. The film was produced by Albert R. Broccoli and Harry Saltzman, and was the first of four Bond films directed by Guy Hamilton. The story has Bond following gold smuggler Auric Goldfinger, who plans a nuclear detonation inside the Fort Knox gold depository.
The film was the first official Bond blockbuster and made cinematic history by recouping its production costs in record-setting time, despite a budget equal to that of the two preceding films combined. Goldfinger was also the first Bond film to use a pop star to sing the theme song during the titles, a hallmark that would follow for every Bond film since except On Her Majesty's Secret Service

AMERICAN PIE


THE ALL TIME BEST......
ALL D SIX MOVIES PACKED TOGETHER...
NJOY....

Saturday, May 9, 2009

JAMES BOND: From Russia With Love

Sean Connery's second outing as James Bond became his personal favorite, and that of many Bond fans around the world.
James Bond 007 is on the search for a Russian decoding machine, known as Lektor. Bond needs to find this machine, before the evil SPECTRE organization discovers it first. Whilst being romantically linked with Russian girl, Tatiana Romanova, Bond sneaks his way around Istanbul, whilst each SPECTRE agent tries to pick him off, including the over powering Donald 'Red' Grant and ex-KGB agent Rosa Klebb who knows all the tricks in the books and even possesses an incredible poison tipped shoe!

Download torrent

Friday, May 8, 2009

JAMES BOND : DR. NO

DR. NO
The first entry in what was to become the most profitable movie series of all time is a solid, surprisingly modest spy thriller, enlivened by Sean Connery's screen charisma and occasional hints of the extravagance to come.

Download torrent

Watch movie online

Thursday, May 7, 2009

Poseidon(2006)




The disaster movie is tricky. You either bring out the disaster early to try and gain the audiences interest soon or you wait while building tension towards the threat. This outrageously expensive remake of a 1972 film, Poseidon Adventure, is one that runs out of steam early by giving audiences what they want far too early. All that’s left is for clichéd, dull, uninteresting characters to discover a way out of their predicament.

As if on cue, things begin to go south at the 15-minute mark. After establishing the characters at a most basic level, a rouge wave slams the side of a cruise ship (rather obviously named Poseidon), knocking it upside down in the middle of nowhere. Thanks to their cell phone carriers lack of underwater service, no survivors are able to call for help. If they were lucky, family could help get them out of this movie before it gets any worse.
Most of the films budget was obviously spent on this extra
vagant sequence, brutal and spectacular to watch. Some of the people falling to their death land harshly on what have now become the main floor. A few certainly challenge the MPAA’s PG-13.

Even at a brisk 90 minutes, the film is over after this point. If you’ve ever seen a disaster movie before, you can pick out the victims early, aside from one surprise late in the film. The characters slowly prowl through the overturned ship, and of course their paths only become deadly when the last person is trying to make it past a section. It’s amazing how the ship can hold together when the main characters are progressing, yet falls apart the minute an unknown makes a move.

Their journey is rife with standard plot devices, from the overbearing father to the annoying attempt at comic relief. Dialogue breaks down into standard “yes” and head nodding as they put simple plans of escape into action. When they do talk, it’s simply to let the audience know what the plan is in plain English. It’s always good to have someone on hand to explain any technicalities regardless of the situation.

Poseidon is over once the escapees decide to take along a kid too dumb to know when to get out of danger. If there’s a golden rule with disaster movies, it’s that the kid is never the smartest choice for your party. The second rule is to not spend mounds of cash making them unless they’ll try something unique.

Poseidon makes solid use of the format. Set details are gorgeous, and the extra effort spent setting them up pays off in higher resolution. Black levels are pristine, along with rich color. The only noticeable problems come from a light grain, noticeable mostly in the opening 15 minutes, though it does tend to creep up on occasion later. It’s a minor flaw at its worst, though it’s definitely there if you’re looking.

Presented with a high end Dolby True HD mix, the film simply couldn’t sound any better. The wave sequence alone is the worth the entry price for audiophiles. The boat rocks and sinks throughout, providing flawless audio cues to its status. Audio volume is significantly high, and makes a huge impact during action scenes, though it can make quieter dialogue difficult to decipher during downtime.

Warner releases this HD disc with their new In-Movie, hosted by star Josh Lucas. These rather annoying although informative features run concurrent with the movie via picture-in-picture window, and are unavailable elsewhere on the disc. Outside of the film, the History Channel provides an informative look at Rogue Waves, the phenomenon, and what scientists are doing to learn about them to prevent future problems. Generous clips from Poseidon fill some of the running time.

Poseidon: Upside Down is an 11 minute look at the films giant sets and trouble constructing them upside down. Ship on a Soundstage further looks at the issues the crew had assembling the film from all aspects. It’s a lot of praising and talking heads over some nice behind the scenes footage.
The best feature on the disc is Shipmates Diary following a young film student on her trek through her first Hollywood feature. Her comparisons to her school projects in terms of scope and money are priceless. If you’re wondering why these Hollywood epics cost so much in the end, this shows a lot of the reasons from food down to the lowliest jobs on the set. It’s a shame this is only 12 minutes.

Director Wolfgang Peterson wraps up a trilogy of water/ship movies with Poseidon. 1981’s Das Boot, a super long (nearly five hours) submarine epic is by far his best work, following that up almost 20 years later with the George Clooney vehicle Perfect Storm in 2000. He should have quit while he was ahead.



Free Download:


Wednesday, May 6, 2009

Lions For Lambs(2007)


By the time the credits rolled on Lions for Lambs, I sat there in the darkened theater as my fellow patrons made for the exits wondering if that's all there is. It felt incomplete and I was not engaged. I like going to the movies... no, I love going to the movies. That said, I do not go to the movies for a lecture. I made that mistake once with Al Gore's An Inconvenient Truth (the information was good, but it was not a good "movie" and certainly not worthy of its Oscar win).

When I go to the movies I want to get caught up in the characters, their journey, their story, as well as the technique and visual flair used in telling the story. It's too bad I did not get that level of involvement with this. Lions for Lambs is 90 minutes of talking with little in the way of action or character development. The characters are there to fill the needs of the script rather than inhabiting this world, a conveyance for the thoughts of the writers rather than containing any semblance of organic growth. Still, it is not a complete loss; it is watchable although it is rather mediocre and incomplete.

Lions for Lambs is the latest of the recent spate of Iraq war-themed films unleashed by Hollywood upon an unsuspecting movie-going audience. No matter where you turn it seems as if a new one has arrived to add to your cinematic choices. It could also become the latest to be deemed a box office disappointment. By and large audiences are voting with their wallets and are giving these war movies a lukewarm reception. We live this war every day, be it in the papers, the evening news, or all the reports on the 24-hour news nets. Do we really need it on the big screen as well?

Something tells me that these films would be better received if they were disguised as something else, perhaps some science fiction or something more modern but a bit more obtuse. It's hard to ask people to pay to see a cinematic lecture on current world events when they may want to escape reality for a bit into an engrossing film. Then there are people like me who will see just about anything and blow this concept right out of the water.
Lions for Lambs plays out three stories running in parallel, nearly in real time save for a few flashbacks to help flesh them out. The centerpiece would be the verbal sparring between Tom Cruise, as presidential hopeful Senator Jaspar Erving, and Meryl Streep, as reporter Janine Roth. Their meeting is focused on the launch of a new strategy in Afghanistan that would turn the tide of the war and deliver an American victory. Jaspar is not backing down on his belief that this is the way of the future and will ensure a win. On the other side of the coin Roth is attempting to get some actual detail from Jaspar with regard to his conviction that this is the correct way to go.

On the other coast we are introduced to Professor Malley(Robert Redford) who is having an early morning meeting with a smart and promising student who has stopped caring, Todd Hayes (Andrew Garfield). They discuss the way government is working and the ways to incite change, the point being Malley's desire to give Hayes a little fire, get him involved with something, anything. Hayes represents most of us, bright, yet unmotivated and unwilling to try something under the belief that we would end up in the same place anyway.

The third story follows a pair of Malley's former students, a bright pair with the world at their fingertips who, as part of a class debate (seen in flashback) put their words to the test and enlist in the army. As the film begins, the duo, Ernest Rodriguez (Michael Pena) and Arian Finch (Derek Luke), are part of Jaspar's new initiative. They head into the snowy peaks as part of a small group charged with taking the high ground before the Taliban can move in. However, what is believed to be a safe zone is still very hot, and the two are left injured and exposed.

What did I get out of the movie? Well, the politicians got us in before we should have, not even considering if we should have, the media is at least as culpable for selling the war to the public, and it is the little people, the everyday Joes, who pay for it. Yes, if not for government and the media we would not be in this war, or at least not in the version we are living today.
Lions for Lambs is an indictment of the government and the media, and shows how everybody pays for decisions that are made. We even get a bit of the blame placed on America in general as we have become too complacent to fight for anything. Pretty much everything in the film is a point that is believable, if arguable. The problem is that for a 90 minute film it is all talk. Seriously, this movie is all about the talk. Talk, talk, talk.

It starts off potentially involving as each of the players is intriguing in their own right, but I kept waiting for something big to happen. They just kept talking, and talking, and then the movie was over. So, without much going on beyond the talk, any interest is going to lie with the star power. To a degree it works. Cruise has the smarmy politician down, Streep is fine as the conflicted reporter, and Redford has a laid back charm as he tries to start a fire. Pena and Luke carry the heart of the movie and represent the only characters that I actually cared anything for.

Bottom line. I did not feel that this movie broke any new ground and did not succeed in telling us anything that we didn't already know. The resulting product amounts to a lecture. Did I like it? To an extent, I just wish that there was more to it. It survives on the strength of the stars and the conviction with which they bite into the roles.


Free download:

October Road


October Road is one of those shows that gets criticized for being predictable and sappy, but is in fact a great little dramedy in the vein of movies such as Beautiful Girls and No Looking Back.
The show is about Nick Garrett (played by Bryan Greenberg of the cable television gem Unscripted), who leaves Knights Ridge, Massachusetts, for six weeks to travel around Europe, with four high-school best buds and a girlfriend Hannah (played by Laura Prepon of That ‘70s Show fame) patiently waiting for his return.


Ten years later, Nick lives in New York and is a successful novelist, having written a book, Turtle on a Snare Drum. But he has yet to write a second book. To make matters worse, his first success is tightly based on his experiences growing up, and he has made a lot of frenemies as a result of divulging his version of the truth to the masses -- so much so that he’s never even been back home since he left.


But what would a good drama be without some tension? Nick decides to return to town under the guise of a new teaching gig at a local university, and havoc ensues.
Hannah now has a 10-year-old son, Sam (played by Slade Peace), who Nick comes to believe is his child. Along with the main storyline, involving Nick, Hannah, Hannah’s boyfriend Big Cat (played by Warren Christie), and Nick’s pseudo-girlfriend Aubrey (played by Odette Yustman), there’s also the shut-in Physical Phil (played by Jay Paulson), who hasn't left his house since 9/11; bitter Eddie (played by Geoff Stults), with whom Nick was supposed to start a business when he got back from Europe, and who currently has a crush on Janet (played by Rebecca Field); and Ikey (played by Evan Jones), who is having an affair with the wife of Owen (played by Brad William Henke).

Free Download:
http://dl.btjunkie.org/torrent/October-Road-seasons-1-amp-2-complete/2908061af9c84df363fb0082a1d9fc87caf010058b46/download.torrent

Tuesday, May 5, 2009

Micael Clayton(2007)


In this classic, suspenseful drama, George Clooney plays a man caught between his conscience and the greed of corporate America. Reminiscent of many recent whistle-blowing cases, this film is a thrilling character study of people forced to make decisions, as depicted through a multi-layered story based on flashbacks.

Michael Clayton (George Clooney) is a 45-year-old attorney with the prestigious New York law firm of Kenner, Bach & Ledeen. He doesn't really practice law because he is used as a "fixer", better known as the man with the ability to solve other people's problems. A former criminal prosecutor from a working-class neighborhood, he is an anomaly at this high-powered firm. His boss Marty Bach (Sydney Pollack) finds Michael's talents a necessity in cleaning up the firm's uncomfortable problems quickly and quietly. Michael gets a call concerning the firm's top litigator, Arthur Eden (Tom Wilkinson), who has suffered a mental breakdown. This incident is linked to a cover-up jeopardizing a lucrative case, so Michael's talent for fixing a problem is needed. At the same time Michael has his own problems he needs to address immediately. His life is in a mess -- he's a compulsive gambler, a lonely divorced man, and is under the pressure of owing money to "wise guys" due to an unwise investment in a restaurant business venture that failed.


The cover-up is the meat of the plot. This sets the tension up involving the corporate espionage of U/North Corporation, the client of Kenner, Bach & Ledeen. U/North's newly appointed chief counsel and litigator Karen Crowder (Tilda Swinton) finds her career hanging on the multi-million dollar settlement of a class action lawsuit. Arthur Eden's feelings of guilt over his part of representing U/North causes him to sabotage the case by becoming a whistle-blower. Arthur discovers evidence of toxic waste polluting a region resulting in illness and death. Murder and bribery isn't beneath anyone who wants to hide the secrets of corruption. Michael must decide on what is important in his life.


George Clooney - political advocate, writer, director, and actor - gives an excellent performance in portraying this complex character. He establishes a genuine depth as a man dealing with multiple issues and coming to grips with what he takes seriously in life. It's always a marvel to see Sidney Pollack on screen and in this film he is very effective as the head of the law firm. Tilda Swinton's portrayal of an eager hotshot lawyer in over her head was outstanding. Her role as a struggling, aggressive woman in a man's world was impressive. Her cold persona was always present in every scene. The most formidable performance was by Tom Wilkinson as a bipolar and manic depressive, brilliant man set on exposing a fraud. He is outstanding in the limited scenes he has in this movie
Free download:
or

The kingdom(2007)





It seems like forever since the first trailers appeared for The Kingdom. It was like the film was getting ready for release, and then the trailers disappeared. Months later they reappeared and the release date actually appeared. I am not sure why the release was so delayed from the initial advertising push. Whatever the case, positive word-of-mouth swirled around the picture until it finally arrived on the big screen. Now that people are seeing it, word seems to be greatly split. Fortunately, I don't care about them and neither should you. The Kingdom is an exhilarating action/thriller that will have you on the edge of your seat the closer to the climax you get.
The Kingdom is not a completely realistic portrayal of life in Saudi Arabia, nor is it terribly realistic in any other sense. Still, it feels real. This is a movie that exists in a heightened reality, a world a few steps removed from our own. It portrays events that could happen similarly in our world, but not really. If you want real you will need to look up a documentary, watch world news, or go to Saudi Arabia. Fortunately I do not go to the movies to see realism, just a good story that plays by the rules it sets up. This story is believable within its own confines; it doesn't contradict itself and delivers exciting goods in the process.

The movie opens with an attack on an American housing facility in Riyadh, capped with a suicide bombing in the midst of a softball game. That is followed up in short order by an explosion that takes down buildings and leaves an enormous crater in its wake. Back in the States, an FBI response team recommends sending a team over to aid the Saudi forces in their investigation. Of course, this idea does not go over well. So, in the tradition of decades' worth of action films, our heroes go above and beyond in order to find a way into the country regardless of their superiors' feelings.


Leading the team is Ronald Fleury (Jamie Foxx). He is joined by Grant Sykes (Chris Cooper), Janet Mayes (Jennifer Garner), and Adam Leavitt (Jason Bateman). These guys are more than ready to hit the ground running and bring these terrorists to justice. They are met by American embassy man Damon Schmidt (Jeremy Piven), who attempts to guide them through the customs and requirements of the Saudi kingdom.
The middle portion of the film turns into a procedural thriller as the team investigates whatever evidence they are able to get their hands on. This stage of the game has them attempting to navigate between the lines of what the Saudi royals will allow them to do. Then, just when you think it is over, the action ramps up and we get nearly half an hour of incredibly well-staged action. Car chases, gun fights, fisticuffs -- there is a little bit of everything.

Throughout the entirety of The Kingdom, there is always something to be entertained by. Even when the bullets aren't flying and we have to be content with mere talking, The Kingdom offers great entertainment. Not to belabor the point -- this is not real, I do not watch this film and see any kind of documentary-style truth to it. Rather, I watch this as an intriguing work of fiction that is sideways related to the real world. The script by Matthew Michael Carnahan and direction from Peter Berg will draw you in and completely hold your attention. You will find yourself wondering what is going to happen next as you become more and more invested in the story.

Peter Berg injects a lot of energy into the proceedings, employing Paul Greengrass-style shaky cam throughout the action sequences. He knows how to put you right in the middle of the action and keep you there unflinchingly as the chaos flies all around. Add to that a script that has an interesting story that ties into world events, yet never becomes mired in explaining everything or trying to impart a message. It does keep everything fast and loose with a healthy injection of humor. Creatively, it finds itself in between serious fare like Syriana and more populist outings like Live Free or Die Hard. For the most part it succeeds at walking that line between serious and fun


The performances are all quite good, with each actor filling a required component. Foxx is the tough guy leader who will stop at nothing to get the job done. Jennifer Garner carries the emotional weight of the film. Chris Cooper has an eager energy that is laced with humor. Bateman is the smart-ass, always ready with a quick one liner. Beyond the FBI team, there is the performance of Ashraf Barhom as Colonel Al Ghazi, leader of the Saudi investigation. His work is phenomenal, filled with emotion and unease, seemingly in a no win situation.
Bottom line. Looking for an exciting film that will have you guessing what will happen next? A film that delivers an interesting story blended with frenetic action? Do you like a little comedy infused with your serious drama? If you answered yes to any of these questions, give The Kingdom a shot. Peter Berg has directed a nice slice of real world-inspired action.


Free download:

Monday, May 4, 2009

Bourne Supremacy(2004)


The Bourne Supremacy

Plot

Robert Ludlum wrote a series of novels in the 1980’s about a secret agent named Jason Bourne with amnesia. In 1988 a TV miniseries was made, and in 2002 Hollywood caught up with the story enough to produce The Bourne Identity as a full film, an excellent film in top-notch form. It has been called the thinking man’s action movie.

Going into the sequel, having never read the books, I was leery of a rehashed plotline and less-than-interesting writing. Turns out I was pleasantly surprised. The characters were authentic from the first one, however they progressed the story well. We are privy to some details of the mystery of Jason Bourne’s identity that he is not, which makes following his questions and actions a little confusing. Thankfully, we get to see the world through Jason’s eyes most of the time, and this brings excitement to the film.

Caution Spoilers Ahead

There is a scene with another agent that did seem gratuitous to the plot, as the character is not set up, but is used as a vehicle for spy-on-spy combat, and a big explosion. The cool girlfriend from the first movie is in this one for a little bit, unfortunately not long enough.

The plot keeps me waiting for the next movie, but in the mean time, can anyone tell me if the movies follow the book plot lines well?

Acting and Casting

Matt Damon really is an excellent actor. He shines in the role of Jason Bourne in the Bourne Identity series. I’m impressed with his physical presence and ability to become a character so thoroughly that the fact that he’s acting becomes obscured. Sometimes the directing got in the way of his acting, by cutting into disconnected scenes which highlighted the fact that all Matt had to do for that scene is jog or something.

Joan Allen plays a CIA chief and she almost single handedly ruined the entire movie. Her acting was very obviously forced, and her rigidity gave an inauthentic feel to her scenes. Did Ludlum write a domineering woman into this role or did Hollywood make changes to suit political correctness?

Julia Stiles gave a better than last time performance. Enough said.

Action

The tunnel sequence was top-notch. In the James Bond series Bond’s coolness takes first seat to realism. In the Bourne series, Jason gets shot, seriously hurt, and his car chases include numerous bang-ups and slam-downs.

The realism doesn’t go too far, however, as tires don’t pop when they ought to, and glass doesn’t hurt like it should. The agent-on-agent fight scenes are edge-of-seat material.

Directing

I really enjoyed the directing style of this film. During action sequences it was so jostled one couldn’t really tell what was going on. This however, gave a very realistic “in-the-fight” effect, which is often tried, seldom accomplished. Think of how the directing style animated the plot in Traffic, and then apply that to the action genre.

There was a lot of footage taken in Moscow, Russia. I wanted to pause the movie for the Moscow skyline panoramas, which looked different that I expected.

Many questions are left unanswered

Does Jason Bourne have a choice as to whether he runs or dies? Will the government stop trying to kill him? Were those killed in the 2nd movie the last of his real enemies? Did Jason Bourne have a nefarious business deal with the Russians?

Free Download:
http://torrents.thepiratebay.org/4439073/The_Bourne_Supremacy_[2004]DVDRip[Xvid_AC3[5.1].4439073.TPB.torrent

Bourne Identity(2002)




Bourne Identity opens with our unidentified protagonist afloat in the Mediterranean, presumably dead. He is picked up (unconscious) by a fishing boat where immediately it's apparant that he is not just a regular shmoe. The closest the boat has to a doctor pulls bullets out of our mystery man's back, as well as an implanted capsule containing what seems to be a bank account number saved in a rather ingenious way. Mystery man (Matt Damon) awakens briefly, groggy but immediately aggressively defensive, and it's divulged that he does not know who he is.


From there on we see that we'll be taken on a journey where we will know just as much as he does, and things will be made clear only as he discovers them himself. Shortly after arriving back on land (in Germany), clueless as where to turn, we get a peek at what is to come. Our hero is accosted from his sleep on a park bench in the middle of the night by two police officers, and before you can say "what happened?" he overpowers the two gentlemen.
The cool thing about that scene is that when he defends himself, he seems to go into autopilot, surprising even himself in the knowledge that he knows how to beat the hell out of two guys in as many seconds flat.


And so it goes from there, but never quite where I thought it would go. I was kept very interested in the film by wanting to figure out who and what he (ok, Jason Bourne) was and how he arrived at his current status.

Plenty of very cool fight scenes, edited such that although they are fast-paced, you can actually see what's happening. Of course there's also the required car chase, which was well done in that it was fairly realistic... for a movie car chase.
The look of the movie was very much 60's spy flick, but with a faster pace. There just seems to be something about shooting in Europe that makes films seem more timeless.
But if I had to point out just one thing that made this move enjoyable, it's envy: Here's this guy, wakes up half-dead with no clue who he is, but he manages to piece together who he is, where to go to find out more, and how to go about it... all the while having these kick-ass martial arts skills and spycraft abilities.


I really thought he was just the coolest character ever as I sat there on my couch with a blanket over me and a glass of milk on the coffee table.

Free Download:


http://torrents.thepiratebay.org/4437385/The_Bourne_Identity_[2002]DVDRip[Xvid_AC3[5.1].4437385.TPB.torrent

Bourne Ultimatum(2007)


The cinematic entry of the Bourne franchise remains so in name only. Whether or not that’s a bad thing is a debate for another time and place Once Bourne made the transition from page to screen, he inhabited another universe; one he was ready to conquer with his special blend of mystery, heroism, and quest for redemption.

The Bourne Ultimatum gets a little playful with its narrative, sandwiching the first acts of the film in between the conclusion of Supremacy, and that film’s epilog -- a daring, and altogether useful choice. Still on the run from those who would brand him a criminal, Bourne learns a reporter has begun writing a series of articles devoted to his killer alias, and sets out to find the writer with hopes of tearing down the rest of the wall separating Bourne from his past association with top secret CIA program Treadstone.

Though Ultimatum retains much of the creative force behind Supremacy, the focus of Bourne’s evolution as a character fades to the middle ground this time. Indeed, one of the factors that elevated Supremacy above the over-hyped Identity was turning Bourne into a hero with a quest a few shades deeper than cracking yet another web of conspiracy entrenched within Hollywood’s idea of the evil CIA. The evolving narrative of the Bourne legacy has spun around ideas of memory, moral conscious, choice and questions about what it means to be human. Ultimatum breezes past these and other more character defining elements, choosing instead to focus on the action.

And if it’s action you crave, you’re in for a feast. Director Paul Greengrass (United 93, The Bourne Supremacy) brings back the chaotic maelstrom that somehow retains a semblance of order, though it’s already become a bit old shoe. The flurry of cuts, edits and shaky-cam just leave too much room for confusion. At one point, Jason fends off an attacker with a towel, and even dispatches his foe with said linen, though I am at a loss as to the how. I replayed the scene twice, just to be sure, and I’m reasonably confident Jason strangled the poor guy. A minor quibble, perhaps, but a better film would not have left me room to question.

By now, the role of Jason Bourne has become a staple persona that doesn’t allow Matt Damon any room to maneuver with the character. He comes through with what’s provided, though he inspires a little less empathy this time (and maybe, as I stated earlier, this is more of a scripting problem than anything else). His supporting cast is a who’s-who of underused talent. Joan Allen returns as CIA deputy director Landy, and unfortunately has less to do this time, running second fiddle to the villainous Noah Vosen (David Strathairn), a cookie-cutter CIA bad guy taking orders from the shadowy Dr. Hirsch (Albert Finney).

The plot stays thin and light, always playing around with hints of depth and intrigue, but only enough to make the stakes feel more important rather than earning real importance. Dialog merely transitions the narrative to the next action set piece, and I’ve seen better delivery from a high school drama club. But seriously, who comes to these movies to see an actor chew scenery?

Downshifting Bourne as a character on this carnival ride has weakened assertions that he has become the action hero of the age. We had the opportunity to glimpse his beating heart through his relationship with the ill-fated Marie (Franke Potente), but Ultimatum fails to reconnect on that level. It’s an enjoyable, candy-coated escape that keeps its hand submerged in weightier themes just enough to elevate it over most actioners (see Peter T. Chattaway’s discussion of the trilogy’s water symbolism). Is it enough to earn Bourne a place alongside the likes of Eastwood’s Man with No Name, Dirty Harry, or even Bruce Willis’s John McClane (sequels notwithstanding)? Maybe. But again, a better film would not have left any doubt.

The Game Plan(2007)




The Game Plan is not a terribly original movie. It does not break any new ground or offer up anything surprising for the genre. The plot points, save for one, are all telegraphed early on. If you cannot see the direction it is heading in early on, you have likely not seen that many movies.
Sort of sounds like I didn't care for the movie much, doesn't it? Well, sometimes what would appear to be criticism is exactly the opposite. It is a familiarity that works within the confines of the film. They say that familiarity breeds contempt; however, if you have the right ingredients you can change that feeling of contempt to something that more closely resembles respect. There is nothing wrong with making a film like this. The problems enter the picture when the creative team offers up little in the way of energy.

Take a look at something like The Pacifier. The concept and execution were devoid of passion and energy. The end result was a flat bore. Sure, it filled a need, but it did not do it very well. Compare that with the similarly themed No Reservations from earlier this year. That film leaned more towards the romantic and dramatic than the straight up comedic, but it was created by people who had a passion for the story. The end result was something that had a lot of heart and delivered a story that hit home even if the originality was not there.

When making a genre picture, be it science fiction, horror, action, or family comedy, it can be tough not to fall into the traps. The Game Plan is no exception. It does not avoid the clichés, it doesn't even try to. What it does is embrace them. It embraces them and uses them to its own advantage. They are capitalized on by the cast. In short, The Game Plan is nothing new, but it offers lots to smile about and will have you leaving the theater happy.

Dwayne "The Rock" Johnson stars as Joe Kingman. He is an egotistical, self-centered football star who lives the life of a playboy. He always makes sure to watch himself on Sportscenter, and has a luxurious apartment plastered with photos of himself alongside posters of his hero, Elvis Presley. His life is thrown for a loop when an 8-year-old girl named Peyton (Maddison Pettis) arrives on his doorstep claiming to be his daughter. From this moment on Joe's life is thrown for a loop. He struggles with the possibility that he really is her father, and then his publicist enters the picture. Her name is Stella (Kyra Sedgewick), and she is clearly not a mother. She comes in looking for a way to do damage control and protect her income by protecting her client.
The rest of the film follows the slapstick exploits of Joe trying to play father and Peyton trying to be his daughter. There are gags involving a bedazzler, putting Joe's bulldog in a tutu, and a cinnamon allergy. Not all of them work, some go on too long, but by and large they work. They probably work as well as they do due to the cast.

It is my belief that Dwayne Johnson (sans "The Rock") will be a big star. He just needs that one killer role to put him over the top. I doubt this will be that role, but it does go a long way to prove his versatility (something that is really evidenced by his complete filmography). He has already proven that he can anchor an action film (The Rundown), stand out in a comedy (Be Cool), and lead a more dramatic film (Gridiron Gang). The Game Plan plays off his excellent comic timing, and high level of charisma and screen presence, not to mention his willingness to poke fun at his macho image. He has all the tools needed to succeed.

There are a few moments in this film where he is able to convey some surprising depth with Joe Kingman. I am thinking specifically of a scene early on. A party in his apartment is dying down, and he says something to a teammate, played by Morris Chestnut, about having a life. Chestnut responds that family is life and, gesturing around the bachelor pad, that is not life. This is followed by Joe sitting down in the middle of an empty apartment, surrounded by his own memorabilia. It is a quiet moment that reveals much about Kingman, the movie in general, and about Johnson's ability to pull of something of such depth in the midst of a cliched family comedy.
Now, Johnson is not alone in making this as enjoyable as it (although he is a big reason). Maddison Pettis is good as the precocious youngster. She perfectly fills the cute role, displaying some good comic timing of her own. It doesn't hurt that she and the rest of the cast appear to have had a great time on set. She may be the smallest of the cast, but she more than holds her own.

The supporting cast is all good as well, including Sedgewick and Chestnut. Joining that pair is Roselyn Sanchez as Peyton's ballet instructor and romantic interest for Joe. This is a nice point as it is clear the two are meant to couple up, but it is subtle, much moreso than you would expect for this type of movie. There are even some big laughs to be had with Joe's teammates played by Hayes MacArthur, Brian White, and Jamal Duff.
Bottom line. Now, The Game Plan is not going to win any awards and is likely to be forgotten by many, but it definitely put a smile on my face. It delivers laughs and has a good heart. This is worth spending some of your time with, particularly if you have children.

Free download:
http://torrents.thepiratebay.org/3958217/The_Game_Plan[2007]DvDrip[Eng]-FXG.3958217.TPB.torrent

Saturday, May 2, 2009

Adgrid

Online Advertising